Well to all our faithful blog readers, I'm back and I'm back on the road. This time however Angelo, our part time curator extrodinaire is with me (actually he's driving) and we're heading south to Palm Beach for ART PALM BEACH taking place Jan 20 - 24th. As we're currently loaded down with a truck full of art and miles and miles of road ahead yet, I'm not likely ready to give you directions as to where we are at the moment we're there. I'm sure you can understand that given the security of our trip - but I will post some pictures as the trip progresses. I apologize but if you knew me, you would know exactly how paranoid I get about security, safety, etc.
That being said - Angelo and I are jamming out to what I think is CCR right about now and our truck (governed at 65 mph) is chugging along quite nicely even if it does shake at 40 - 45 mph. Angelo, seasoned traveler that he is brought a power converter so that I an keep the old laptop charged and thanks to the miracle of modern cell phone technology, my droid keeps me online posting to all you wonderful people.
There won't be much for me to blog for quite a while but don't worry, as I can, I will. Signing off for now, and since I'm in a truck and stopping at truck stops - I'll go ahead and say it.... 10/4 good buddy!
- Kat
Located at 30 W. Main Street - The Evan Lurie Gallery has gained a reputation in excellence within the Arts world. Evan has owned galleries in New York, Miami and Los Angeles and works with some of the most talented contemporary artists from around the world.
Tuesday, January 18, 2011
Friday, October 1, 2010
48 Bagels please...
Hello readers - I hate to tell you this but today was our last day together in the Big Apple. Don't worry, I took care of things and stayed plenty busy wishing the entire time that I had another week to take it all in. I'm not sure if I really went too much into detail about this - but I used to live here. I used to walk up and down Broadway on a near daily basis, scowling at the tourists, screaming at rogue taxi drivers and generally just assimilating into a very bah-humbug lifestyle. Now, I'm not sure if it's the 6 years that have passed or if the city has changed, but now when I return there is most certainly a change in the wind. Sure, the woman behind the counter will still say "thank you for coming... have a nice day" and sound more annoyed that genuine but whatever - that's New York. That is going to happen. But, smile once in a while here and you might be surprised at how frequently someone smiles back. Of course there's an increased likelihood that the party smiling back is teetering on mentally insane - but hey... a smile is a smile is a smile. Take it and enjoy life.
Today I woke up and began my day around noon. While I'd been to several galleries all over Manhattan the last few days, Friday's time was allotted more for food - a general necessity if I wanted to keep the order in my home and workplace upon my return. But before I got to the shopping, I wanted to meet up with weekend New Yorker, Ben Freeman. Ben, as you might remember if you came to our show on the 18th of September, is an artist that we've represented for over two years now and who just finished several new pieces now on our walls in Carmel. During the week Ben lives and works in Boston - but people being people and rituals of life being as they are - Ben has been weekending in New York for decades now and honestly, who can blame him? A quick trip on a train and you're in the city that never sleeps with enough inspiration to last an artist a lifetime... or two. Aside from our love of the island, Ben and I share a similar palette when it comes to food. Both pescetrians and both lovers of all things Parisian, we tend to find ourselves meeting up at a wonderful French restaurant called Pastis. Located in the meat packing district with a charming french motif, the food and wine and general buzz of people talking lends itself to a great meal - and a great meal was had by us both. His fish was Cod... mine was something else that I cannot remember - but both were amazing and accompanied some great discussion about his plans for the future - his work as an artist and the direction that life seems to be taking for both of us. Often times we offer lectures in our gallery and let me tell you this - if you have a chance to sit down and talk with the artists - to learn about them or to listen to how they've come so far in their life - it really does make their work that much better. To hear Ben talk about his experiences in the world of fine art help to magnify this general understanding of technique and even, yes... politics in his work. Maybe that's why I love his collections so much - because I know him and I see a piece of him in the work at hand. If you have a chance to meet with any of our artists I would suggest that you do so. Art speaks much louder when it has a sense of humanity behind it.
After lunch with Ben I raced to the North West side for some shopping. And here's where I have to apologize to the readers - if I could I would bring you all something but as you might understand... that's not possible. However, I am under orders to bring back bagels, Herring, bread, pizza, etc. to those I am close to on a daily basis. So... up to 106th I went (or so) to a place whose name I still don't know - but who has the best bagels I've ever tasted. H&H??? No. You don't hold a candle to this place and I'm tired of people claiming that you do - marketing and branding in this city only gets you so far... you have to back it up and I'm sorry,... H&H doesn't back up anything anymore. So, I found myself at a small no-name bagel place run by men and women who spoke enough English to take orders and left with 48 bagels in two very large blue bags. Thus began the acquisition of New York cuisine. Bagels, check. Herring in creme sauce, check. Hummus and Tahini from "The Hummus Place", check. Armenian string cheese, check. Lox spread, check. $4 chocolate chip cookie from Food Channel favorites, check. Tomorrow - 5 pizzas from Big Nicks and maybe... maybe... some garlic knots.... we'll see. But regardless - that should do it... well, until I get to Pennslyvania where I get a few cases of Yuengling...... oh Lord... I have turned into my mother. Such is life. Food wins... food wins.
Well, speaking of food - dinner is here .... Sushi delivered to the apartment. I'm going to miss New York City but for those of my readers who might see me at the gym - I'll be there quite a bit in the next few weeks... working off this "work week" on the treadmill.
Have a great night.
- Katherine
Today I woke up and began my day around noon. While I'd been to several galleries all over Manhattan the last few days, Friday's time was allotted more for food - a general necessity if I wanted to keep the order in my home and workplace upon my return. But before I got to the shopping, I wanted to meet up with weekend New Yorker, Ben Freeman. Ben, as you might remember if you came to our show on the 18th of September, is an artist that we've represented for over two years now and who just finished several new pieces now on our walls in Carmel. During the week Ben lives and works in Boston - but people being people and rituals of life being as they are - Ben has been weekending in New York for decades now and honestly, who can blame him? A quick trip on a train and you're in the city that never sleeps with enough inspiration to last an artist a lifetime... or two. Aside from our love of the island, Ben and I share a similar palette when it comes to food. Both pescetrians and both lovers of all things Parisian, we tend to find ourselves meeting up at a wonderful French restaurant called Pastis. Located in the meat packing district with a charming french motif, the food and wine and general buzz of people talking lends itself to a great meal - and a great meal was had by us both. His fish was Cod... mine was something else that I cannot remember - but both were amazing and accompanied some great discussion about his plans for the future - his work as an artist and the direction that life seems to be taking for both of us. Often times we offer lectures in our gallery and let me tell you this - if you have a chance to sit down and talk with the artists - to learn about them or to listen to how they've come so far in their life - it really does make their work that much better. To hear Ben talk about his experiences in the world of fine art help to magnify this general understanding of technique and even, yes... politics in his work. Maybe that's why I love his collections so much - because I know him and I see a piece of him in the work at hand. If you have a chance to meet with any of our artists I would suggest that you do so. Art speaks much louder when it has a sense of humanity behind it.
After lunch with Ben I raced to the North West side for some shopping. And here's where I have to apologize to the readers - if I could I would bring you all something but as you might understand... that's not possible. However, I am under orders to bring back bagels, Herring, bread, pizza, etc. to those I am close to on a daily basis. So... up to 106th I went (or so) to a place whose name I still don't know - but who has the best bagels I've ever tasted. H&H??? No. You don't hold a candle to this place and I'm tired of people claiming that you do - marketing and branding in this city only gets you so far... you have to back it up and I'm sorry,... H&H doesn't back up anything anymore. So, I found myself at a small no-name bagel place run by men and women who spoke enough English to take orders and left with 48 bagels in two very large blue bags. Thus began the acquisition of New York cuisine. Bagels, check. Herring in creme sauce, check. Hummus and Tahini from "The Hummus Place", check. Armenian string cheese, check. Lox spread, check. $4 chocolate chip cookie from Food Channel favorites, check. Tomorrow - 5 pizzas from Big Nicks and maybe... maybe... some garlic knots.... we'll see. But regardless - that should do it... well, until I get to Pennslyvania where I get a few cases of Yuengling...... oh Lord... I have turned into my mother. Such is life. Food wins... food wins.
Well, speaking of food - dinner is here .... Sushi delivered to the apartment. I'm going to miss New York City but for those of my readers who might see me at the gym - I'll be there quite a bit in the next few weeks... working off this "work week" on the treadmill.
Have a great night.
- Katherine
A tourist for every season.
It's nearly 11 pm and in 12 hours I've lived three days - or so it seems. Today was a story from beginning to end and even I'm sure I didn't quite catch everything. As I told you in my last entry - today was mostly about the Affordable Art Fair (AAF). I had carefully arranged my few days here so that I would have an entire day to peruse what is likely the most manageable price points in all of Manhattan's fine art world. Now, I am about as picky in art as I am in men - I know what I like and while I appreciate the workmanship that goes into various styles, I am not drawn to it. Also, as I said today earlier, my tolerance for the ridiculous is waning. Today I wanted to see something so fresh that it would take me by surprise - guess what.... SUCCESS!
The image you just saw is by an artist named Jordan Eagles and his work is perhaps the most exciting thing I saw all day. The piece above is 20 x 20 x 3 and get this - it's blood preserved on Plexiglas and coated in resin. This particular piece is also layered with copper. Excuse me, did you say blood? Yep, I did. But what's great about this piece is that it organically draws you in before you even know it's blood. The color, the texture, the size, the technique - it's only until after you've looked at the small little label to the right that you know what the medium is - and right there next to that information is a little red dot. This piece was sold by day two of the art fair and I cannot say I was at all surprised. A piece of art that is captivating and provocative? Let's just say that I would love to show Jordan's work in our space.
While there were various other artists that I noted I simply cannot wait any longer - I must tell you about what I found on 14th St later in the day. You see, after I finished up at 7 W 34th (the AAF) - I was wondering what else I was going to do with my day. Soon I had a quick drink date with Oriano scheduled for 6 pm and it was already 4. I had two hours to kill so I began the walk. Anything in New York is within walking distance - the question is how much time and inclination do you have - once you decide you have both, you can just start out in the general direction you're aiming for and eventually you'll get where you're going. As I was fairly close to the southside of mid-town, walking 10 blocks to Chelsea wasn't a big deal - so another 11 blocks to the Meat Packing District was even more okay. The only drawback - humidity. I had the time but today was especially rough for someone like me who looks as though I ran a marathon after 10 blocks - so I HAD to pace myself and enjoy the scenery. An hour later I was at 14th and 9th Ave - the corner where Oriano and I were set to meet up... except I still had one more hour to kill. And so the window shopping began....
You name it and they have a store in that area - and we're talking the types of stores that don't put price tags on the merchandise. "If you have to ask, you can't afford it." - Those stores. But absolutely gorgeous things - some a little out there but all in all - gorgeous. And there, smack dab in the middle of all this fabulousness... Heller Gallery - the diamond of my entire trip.
This gallery is full of amazing glass art - a medium I'm not particularly drawn to on a regular basis. Our gallery in Indiana has a few exceptional glass artists but in general, it's a medium that tends to be a little outside my radar. Not so at Heller. Every single piece of art in there was breathtaking - clean lines, striking shapes and colors, evocative and thought provoking - it had everything. The crème de la crème was work by Josepha Gasch-Muche. Pictured to the left and measuring just over 30 x 30 - this work is likely the most stunning thing I've seen all week. Composed of thin broken panes of glass arranged by the hundreds of thousands in this circular pattern, the work somehow looks soft enough to touch but threatening enough to remind you how delicate it is. I have never seen anything like this and I have to wonder - is this something that we might be able to get for our space? To introduce the Carmel area to this work would be a pleasure for me personally.
It has since gotten late and it is time for me to retire - I shall continue the story of Thursday with you all tomorrow .... but for now.... goodnight.
The image you just saw is by an artist named Jordan Eagles and his work is perhaps the most exciting thing I saw all day. The piece above is 20 x 20 x 3 and get this - it's blood preserved on Plexiglas and coated in resin. This particular piece is also layered with copper. Excuse me, did you say blood? Yep, I did. But what's great about this piece is that it organically draws you in before you even know it's blood. The color, the texture, the size, the technique - it's only until after you've looked at the small little label to the right that you know what the medium is - and right there next to that information is a little red dot. This piece was sold by day two of the art fair and I cannot say I was at all surprised. A piece of art that is captivating and provocative? Let's just say that I would love to show Jordan's work in our space.
While there were various other artists that I noted I simply cannot wait any longer - I must tell you about what I found on 14th St later in the day. You see, after I finished up at 7 W 34th (the AAF) - I was wondering what else I was going to do with my day. Soon I had a quick drink date with Oriano scheduled for 6 pm and it was already 4. I had two hours to kill so I began the walk. Anything in New York is within walking distance - the question is how much time and inclination do you have - once you decide you have both, you can just start out in the general direction you're aiming for and eventually you'll get where you're going. As I was fairly close to the southside of mid-town, walking 10 blocks to Chelsea wasn't a big deal - so another 11 blocks to the Meat Packing District was even more okay. The only drawback - humidity. I had the time but today was especially rough for someone like me who looks as though I ran a marathon after 10 blocks - so I HAD to pace myself and enjoy the scenery. An hour later I was at 14th and 9th Ave - the corner where Oriano and I were set to meet up... except I still had one more hour to kill. And so the window shopping began....
You name it and they have a store in that area - and we're talking the types of stores that don't put price tags on the merchandise. "If you have to ask, you can't afford it." - Those stores. But absolutely gorgeous things - some a little out there but all in all - gorgeous. And there, smack dab in the middle of all this fabulousness... Heller Gallery - the diamond of my entire trip.
This gallery is full of amazing glass art - a medium I'm not particularly drawn to on a regular basis. Our gallery in Indiana has a few exceptional glass artists but in general, it's a medium that tends to be a little outside my radar. Not so at Heller. Every single piece of art in there was breathtaking - clean lines, striking shapes and colors, evocative and thought provoking - it had everything. The crème de la crème was work by Josepha Gasch-Muche. Pictured to the left and measuring just over 30 x 30 - this work is likely the most stunning thing I've seen all week. Composed of thin broken panes of glass arranged by the hundreds of thousands in this circular pattern, the work somehow looks soft enough to touch but threatening enough to remind you how delicate it is. I have never seen anything like this and I have to wonder - is this something that we might be able to get for our space? To introduce the Carmel area to this work would be a pleasure for me personally.
It has since gotten late and it is time for me to retire - I shall continue the story of Thursday with you all tomorrow .... but for now.... goodnight.
Thursday, September 30, 2010
Don't blink or you'll miss five galleries!
They say that a visit to any major museum is at least a 3 day event - if done correctly. Well, okay... a museum takes 3 days but the galleries of New York take a lifetime. I once heard that the Golden Gate Bridge is constantly being worked on - that the minute they finish painting it they must begin again just due to the sheer size of the thing. This is how I feel the New York Gallery scene is - and following it is as though you're chasing your own tail - it's always two steps ahead.
Yesterday was a simple day with weather you couldn't customize to be any better. My "SuperPhone" told me it maxed out at 78 degrees - scarcely a cloud in the sky and a breeze that blew softly through the afternoon. So it was a day that I was happy to be out and about with a Jamba Juice in hand ready to put an ever so small dent into the district located in Chelsea. 20 plus galleries later and I didn't even scratch the surface on anything but the soles of my feet. That said I was able to see a mixture of art which I loved, art that I questioned and art that I simply found myself staring at with tilted head and what I'm sure was a huge question mark looming over my head.
I won't walk you through every gallery but I can give you a few highlights that I truly enjoyed. The day started in the abstract and grew more figurative into the afternoon. I won't lie, I did see two massive white canvas' bolted together and on display. Yep, bet that took a really long to conceptualize and realize.... or not. But then I found this piece (pictured to the left) in the back nook of a smallish gallery and it drew me right in. The artist's name is Omar Chacon and this piece is entitled "Untitled #209" and is a mix of resin and pigment on canvas that measures 11" x 7.5" - so it's on the smaller side - and it has this complex layering of colors that bring you right back to childhood. To me it gave new meaning to the term "eye candy".
Later in the day I stopped by a gallery that seemed almost a sister to Evan's space and asthetic. Every single piece of art in there was something that I could see hanging in Carmel but one of my favorite's was Daniel Ochoa pictured to the right. This piece, entitled "Lados of Cuerto" and measuring 48 x 36, is figurative oil on canvas and used incredible brush work (and some palette knife work perhaps) to create a certain kind of humanity I found engrossing.
After a dinner with my family, I was able to meet up with Michael Fitts late into the night for a cocktail and discussion about his newest work which I'm very excited to see today. On today's agenda is The Affordable Art Fair - an event that I've never been to but am quite anxious to see. As for last night - Michael and I sat in a lovely little Irish bar near the Empire State Building with a wonderfully pleasant bartender who could easily get a job as an Edward Norton body double. What I enjoy most about my job, aside from the subject matter obviously, is the people. I love being with the people in my industry. What makes an artist particularly enjoyable company is their nature of observation. They listen, they engage, they smile and for the most part they banter. They are a breed of human being that works from a passion to create beauty. It's an unselfish quality and truly one of the most pleasant aspects a human being can have. Michael is very much like this. (If you've been in our gallery you've likely seen his work but I'm posting a picture of it to the left here.) I don't know - perhaps it was growing up in a family of artist's that makes me feel so at home among them - but whatever it is, whoever the artist and whatever their medium, I know that when you see a piece of their work or hear a chord of their solo or experience a minute of their film - any kind of artist is showing you a small piece of their soul. Being immersed in so much art this week I feel as though along with my wonderful discussions with folks like Mr. Fitts, I'm also meeting hundreds of new people and I have to say, I'm honored.
Until my next post - I hope all is well in your "neck of the woods" - have a great day!
Yesterday was a simple day with weather you couldn't customize to be any better. My "SuperPhone" told me it maxed out at 78 degrees - scarcely a cloud in the sky and a breeze that blew softly through the afternoon. So it was a day that I was happy to be out and about with a Jamba Juice in hand ready to put an ever so small dent into the district located in Chelsea. 20 plus galleries later and I didn't even scratch the surface on anything but the soles of my feet. That said I was able to see a mixture of art which I loved, art that I questioned and art that I simply found myself staring at with tilted head and what I'm sure was a huge question mark looming over my head.
| Omar Chacon - "Untitled #209" |
I won't walk you through every gallery but I can give you a few highlights that I truly enjoyed. The day started in the abstract and grew more figurative into the afternoon. I won't lie, I did see two massive white canvas' bolted together and on display. Yep, bet that took a really long to conceptualize and realize.... or not. But then I found this piece (pictured to the left) in the back nook of a smallish gallery and it drew me right in. The artist's name is Omar Chacon and this piece is entitled "Untitled #209" and is a mix of resin and pigment on canvas that measures 11" x 7.5" - so it's on the smaller side - and it has this complex layering of colors that bring you right back to childhood. To me it gave new meaning to the term "eye candy".
| Daniel Ochoa - "Lados of Cuerto" |
Later in the day I stopped by a gallery that seemed almost a sister to Evan's space and asthetic. Every single piece of art in there was something that I could see hanging in Carmel but one of my favorite's was Daniel Ochoa pictured to the right. This piece, entitled "Lados of Cuerto" and measuring 48 x 36, is figurative oil on canvas and used incredible brush work (and some palette knife work perhaps) to create a certain kind of humanity I found engrossing.
| Michael Fitts - "Operation" |
Until my next post - I hope all is well in your "neck of the woods" - have a great day!
Tuesday, September 28, 2010
On The Streets of New York...
Jay-Z's recently "covered" song (on the hit show Glee which I'm only slightly addicted to) "Empire State of Mind" opens with the following lyrics:
Also showing the same exhibit is a woman with whom I did not meet but whose name is Panni Malekzadeh. Her work has a soft feel with, dare I say it, sexual content - somehow her sweeping brushstrokes add a level of romance to a subject matter that is all to risqué for the 46032 zip code. (To the left is pictured, "The Peep Show" which measures 62 x 89 inches). Can you imagine the headline in the Star if we had paintings of "painted women" in our windows? Again though - this is a different town - and being here in New York is akin to having the alarm go off without hitting snooze. You can't snooze in The Big Apple - the city goes on with or without you and a doggy paddle won't keep you up. That's why the art here is the way that it is - grab attention or wash out with the tide. And let me tell you, the NYAA has some attention grabbing art - it reminds me of why I love this business that I'm in.
Yeah, Imma up at Brooklyn,
Now Im down in Tribeca
Now Im down in Tribeca
I will never again be able to listen to this song without thinking about today. I began with a wonderful morning in Brooklyn with Oriano (pictured to the left) and ended with a great visit in Tribeca with Peter Drake. It has been one of those days in New York that makes you want to move here - at least for me. Surrounded by artists, great food, leisurely strolls down busy Avenues and people watching. Before you ask, yes... I am working. In fact, not only am I working but I'm soaking, nope, basking in some of the freshest - and strangest - culture of fine art. There is only a sliver of what I'm seeing that would even be considered appropriate for my home state of Indiana but that's what's so great about venturing out of what you find in the day-to-day... life is very much like air travel in this respect - abrupt changes in altitude might cause some things to shift during flight - and often that shift alone uncovers more than your imagination ever thought possible.
I did not have a chance today to see Oriano's studio but I do hope to make it there tomorrow. But then I'd also like to have lunch with Michael and Peter tomorrow - see what's new in their worlds and what new material they can perhaps show at our space in the Midwest. I did meet an artist, Will Kurtz, today (while visiting Peter Drake) in Tribeca (New York Academy of Art) who makes these amazing sculptures out of paper maché. (See photo to the right) While I enjoyed the portrait work (which is apparently of his family members) - I found the dogs to be exquisite! If you're reading this and would like to commission this man to sculpt your "Best Friend" - we can certainly arrange that.
The day for me has ended and I'm now nestled into a new apartment with a glass of red wine to wind down. As promised, the blogs will continue to come and hopefully this journey can be something we can share together. Between you and me - this city has a way of making a person truly understand what living is - and I can only hope that I pack a little of that in my suitcase to bring home. I love my state but even I can admit that Indiana could use a little of this energy every now and then. :)
Have a great night - and see you all tomorrow.
Travels, Continued.
Well readers, the small but adorable (and bare) Brooklyn apartment I'm sitting in has two noises - MacBook keys and a quiet fan. Every once in a while there is a deep sigh or a moment of introspection but for the most part, it's an enjoyable early afternoon in with overcast skies and a coffee at my side. Let me explain.
I arrived last night and as I neglected to explain in my 2 am post - am currently crashing in the apartment of two of our artists - Oriano Galloni and Stephen Shaheen. They are two of the most gracious people I've ever met and such a pleasant evening all around. After driving for such a long time it was a relief to see such happy faces. For those of you who don't know, Oriano is Italian and while his English is ten million times the better than my Italian - there is still a bit of a language barrier left - a barrier you don't even realize exists because there is a general sense of jovial good charm that fills the void. (Also Stephen is fluent in Italian and does help translate) The two of these men together are a pair that play off each other not only in skill with marble but also in general nature. I would be remiss if I didn't mention that in addition to being extremely talented, these two men are also extremely good looking and charming. Add in Oriano's accent and Stephen's wit and you're pretty much feeling 100% at home before you even say hello. Within 5 minutes of my arrival they already have me laughing as they talk about women - those Italian men sure do know how to talk about women - take note American men... with sincerity flattery can still make the toughest woman in the room blush.
Currently it is 11:30 am and Steve has since left for school where he teaches. Oriano, being such a gracious host, found me a wonderful cup of coffee from a local coffee shop and a chocolate croissant. Needless to say - amazing breakfast. Now there is just this lovely quiet kept in time by the pace of our typing and the hum of the ceiling fan. Spaced about 10 feet apart, he sits on the floor answering his emails and I am perched on one of two stools the men have in the gallery, typing my blog. I know that I need to call the car service and get my day going - but leaving this is a hard task. But, leaving is a must - Oriano has a full day of work ahead of him and I need to get out to see Peter Drake and return a few paintings to him as well. Also, I look forward to seeing the School where he is Dean - a very important position for a very talented man. I only hope they aren't monopolizing all his time keeping him from the creative. Peter's work, if you have not seen it yet in our gallery, is stunning. The latest collection, that of over-sized lead soldiers is rich, full of character and a step backwards to your childhood.
Well, it's time. I will continue to blog the events of the day and yes, I will take photos. What's a story without illustration? Well, it's not a story about artists.
Katherine
I arrived last night and as I neglected to explain in my 2 am post - am currently crashing in the apartment of two of our artists - Oriano Galloni and Stephen Shaheen. They are two of the most gracious people I've ever met and such a pleasant evening all around. After driving for such a long time it was a relief to see such happy faces. For those of you who don't know, Oriano is Italian and while his English is ten million times the better than my Italian - there is still a bit of a language barrier left - a barrier you don't even realize exists because there is a general sense of jovial good charm that fills the void. (Also Stephen is fluent in Italian and does help translate) The two of these men together are a pair that play off each other not only in skill with marble but also in general nature. I would be remiss if I didn't mention that in addition to being extremely talented, these two men are also extremely good looking and charming. Add in Oriano's accent and Stephen's wit and you're pretty much feeling 100% at home before you even say hello. Within 5 minutes of my arrival they already have me laughing as they talk about women - those Italian men sure do know how to talk about women - take note American men... with sincerity flattery can still make the toughest woman in the room blush.
Currently it is 11:30 am and Steve has since left for school where he teaches. Oriano, being such a gracious host, found me a wonderful cup of coffee from a local coffee shop and a chocolate croissant. Needless to say - amazing breakfast. Now there is just this lovely quiet kept in time by the pace of our typing and the hum of the ceiling fan. Spaced about 10 feet apart, he sits on the floor answering his emails and I am perched on one of two stools the men have in the gallery, typing my blog. I know that I need to call the car service and get my day going - but leaving this is a hard task. But, leaving is a must - Oriano has a full day of work ahead of him and I need to get out to see Peter Drake and return a few paintings to him as well. Also, I look forward to seeing the School where he is Dean - a very important position for a very talented man. I only hope they aren't monopolizing all his time keeping him from the creative. Peter's work, if you have not seen it yet in our gallery, is stunning. The latest collection, that of over-sized lead soldiers is rich, full of character and a step backwards to your childhood.
Well, it's time. I will continue to blog the events of the day and yes, I will take photos. What's a story without illustration? Well, it's not a story about artists.
Katherine
Travels.
To be fair, it's now Tuesday and I feel as though I've let the readers down by only just now posting an entry. For those that don't know me, my name is Katherine and I manage the Evan Lurie Gallery. Monday morning, at 11 am, I set out in a big white van filled with sculpture towards New York City. The sculpture is set for return to the artist Oriano Galloni as he gears up to open a new space in Brooklyn, NY. While our gallery in Indiana has had great luck showcasing the work of master sculptor Galloni - the pieces going East were those that either just didn't find their niche in the midwest or were needed for his new showroom opening in a matter of weeks - such is life. For me, as I work surrounded by these "Silent Souls" on a daily basis, it is as though I'm saying goodbye to old friends but I know that they return to the loving hands that created them. It does seem only right that I spend the last few hours with them as I drive East... and with such a delivery... begins an adventure.
As I said, it is now Tuesday - but truth be told, it's very early Tuesday - 2 am in fact. And while I should be sleeping, the effects of massive doses of Caffiene are still working their way through my system. Soon though I feel the onslaught of some terrific sleep following the 13 hour drive east. Don't worry though! I've used my inner geek to tether my phone to the MacBook for an internet connection where ever I am - so blogging won't be dependant on free wi-fi hotspots around the city. For those who have ever lived in NYC or even visited - free is not a word used with a great deal of regularity here. So if you're reading this - please stay tuned. There will be a new post tomorrow as the NYC adventure continues for an Art Gallery Manager stomping around a city she used to call home - ever so brief as that was... but that, well that's an entirely different story now isn't it? Goodnight readers - and I look forward to bringing you tales of great excitement tomorrow.
Katherine
As I said, it is now Tuesday - but truth be told, it's very early Tuesday - 2 am in fact. And while I should be sleeping, the effects of massive doses of Caffiene are still working their way through my system. Soon though I feel the onslaught of some terrific sleep following the 13 hour drive east. Don't worry though! I've used my inner geek to tether my phone to the MacBook for an internet connection where ever I am - so blogging won't be dependant on free wi-fi hotspots around the city. For those who have ever lived in NYC or even visited - free is not a word used with a great deal of regularity here. So if you're reading this - please stay tuned. There will be a new post tomorrow as the NYC adventure continues for an Art Gallery Manager stomping around a city she used to call home - ever so brief as that was... but that, well that's an entirely different story now isn't it? Goodnight readers - and I look forward to bringing you tales of great excitement tomorrow.
Katherine
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